The Magician, The Wheel of Fortune, and The World are the last trio of cards in this series. (Images above are drawn by my husband Robert Lee-Wade, for my book Tarot Triumphs.) ‘Glimpses of the Tarot’ has now covered the 21 numbered Trump cards of the Tarot pack, plus the unnumbered Fool, who danced his way merrily into a separate post, called The Fool and His Feast. Together, these 22 cards form what is known as the Major Arcana. The other 56 are called the Minor Arcana, and are the equivalent of modern playing card suits, with an extra court card for each suit. In traditional Tarot packs, these are not pictorial, and it is the twenty-two Trumps which carry the strongest symbolism and scope for interpretation.
As I’ve mentioned before, for this project I drew the cards sight unseen in their sets of three, to present me with a fresh view of how they may combine. In writing this series, though, I did not stick entirely to these trios in the order that they turned up, as I wanted to create enough light and shade in the sequence of my posts. And I’m very glad that I left this set of three till last, as it’s very much an ‘all systems go’ combination, bringing about a new way forward. It just so happens as well that The World is the last numbered card in the sequence of Tarot Trumps.
All three images have movement – the quick moving hands of the magician, the turning of the Wheel of Fortune, and the dance of the naked female in the oval shape which here signifies the World. Together, I suggest that they imply creativity, the taking of opportunities, and the celebration of life. So as to make genuine progress, there should be watchfulness rather than reckless abandon; take care not to fall into grandiose illusion over one’s powers, be ready to accept that if you rise on the wheel, you will also descend one day, and also that any success in the eyes of the world will expose you to the gaze of others, and their judgements. But there is such joyous energy in these cards, that the way forward lies in action, not in delay or being over-cautious.
The Magician (1)
So what is magic? I have never found one single answer to this, but I’ve certainly come across ways of understanding it. One perception of magic is that it comes about when another level of reality enters our own, and that the practice of magic may be the act of inviting it to do so. Perhaps, too, we have our own magical resources to draw on – our powers of intuition, of using true will (the quiet kind, not the noisy shouting of our desires), or encouraging the creative spirit to manifest. I once heard a story about a brother and sister who I knew. The brother asked his older sister for her help when he was starting out in adult life: ‘I need to get a job, Sis – can you teach me how to do a bit of magic so that I can get one?’ He knew that she was interested in such things. ‘No, I can’t,’ she answered. ‘It’s not ethical and, besides, you’d never understand.’ A few weeks later he phoned her again: ‘Guess what? I’ve got a job! I cut my hair and bought some new clothes and they took me on. So I didn’t need magic after all.’ His sister sighed. ‘Brother,’ she said, ‘you will never understand magic!’
Above: two striking images of the Magician from Renaissance Tarot packs, commissioned for wealthy clients. One is fierce, and giant in stature, while the other seems thoughtful and laid-back.
Even when supernatural powers elude us, we can all use our wit, common sense, and power of attention to create truly marvellous effects. I’ve written about the Magician thus, in Tarot Triumphs: ‘The image represents the tapping of energy, and ways of directing this force with precision and skill. To keep this flow of creation going, however, one has to recognise that all the things one can achieve in this world are, ultimately, games and illusions. But play, colour, delight accompany this revelation. On the Magician’s table, we see the tools which are considered to represent the four elements, continuously in movement, forming different combinations every moment. The dice or counters stand for earth, the cups for water, knife for fire and wand for air. The Magician knows how to make the best of all the opportunities that each of these moments affords.’
The Wheel of Fortune (10)
The wheel turns, cycles repeat themselves. We cannot avoid this, but we can try to understand the best times to act. Do you start a business, for instance, when the economy is flourishing, so that you can cash in on the upward trend? Or do you, cannily, go in right at the bottom of the cycle – if you can indeed spot when that is – so that the only way now is up? If you have a very clever plan indeed, you could even start an enterprise on the downward part of the cycle, as you know that the wheel turns in time, and at present there may be bargains to acquire. Any of these, of course, implies risk – no one is lucky all the time.
The skill of using the changing fortunes shown on the wheel – the King rides on the top, and becomes a monkey or other beast on descent – is to develop powers of recognition, along with a degree of detachment. Firstly, there’s the need to recognise that there will always be cycles, and that nothing stays in the same place for ever. It’s extraordinary how in some boom periods, a kind of delusion takes hold – that the price of houses, or tulip bulbs, or dot com companies, for instance, will simply go on rising, and rising. The wise man or woman stands back from this, studies history, and takes a cool view of the prospects.
The second factor is developing a sense of when is the best moment to take action, in whatever form may be relevant. Here, you need to consult your own lodestone of judgement: studying what others say is important, but weigh it up against your own experience. However, even with the necessary knowledge, it’s often that nudge of ‘now’ from within which is the surest guide in the end.
And thirdly, recognising when the boom is over, and retraction is necessary, may save serious loss or even ruin. Holding on, hoping for just that bit more, has tipped many from success to ruin. This can apply not only to material gains, but relationships which never quite make the grade, or the time to step down from a job or position of authority. It can be hard to let go.
The World (21)
The World turns. The tread of the dancer keeps the eternal movement going, while at the fixed corners, the four sacred creatures watch the dance of life revolve. The image is a fascinating hi-jacking of medieval Christian imagery – such a framework usually surrounded the figure of ‘Christ in Glory’, not a dancing girl. But she may have her own powerful meaning, since in Renaissance Platonic symbolism, a naked dancer may represent the ‘Anima Mundi’, or the Soul of the World. (I’ve written about this in more detail in Tarot Triumphs.) This symbol as a whole can therefore unite male and female forces, and, as the last numbered card in the pack, it indicates completeness. The spiritual world and the material world are conjoined.
In everyday life, however, this image can of course take on a more individual or pragmatic meaning, and may indicate a person or situation where there is real harmony and contentment. Sometimes ‘The World’ tells us that everything is going along as it should, and that it is unnecessary to disturb the balance.
Here then is a card that can symbolise fulfilment, as well as reminding us that our lives are forever in motion. It’s a fitting place to end not only the entire Tarot pack, but the sequence of trios of cards which I’ve explored in this series of posts. Energies are finding a good outlet, progress can be made, and a well-balanced situation can be established.
The three cards from the rather primitive, but effective Italian woodblock set known as the ‘Bologna Tarot’
I’ve enjoyed writing this, though it has challenged me – as indeed it should! I hope I’ve shown how the symbol on each Tarot card has its own inherent meaning, but that in relation to others, new aspects of that symbol come forth. In combination, the cards can give a picture of a relationship, a situation, or whatever subject the question may be about.
In Tarot Triumphs I have set out a sequence of guidelines for making your own connection with the individual cards, then learning different ways of reading them in answer to a question, from simple starting points of three- and four-card readings, to a more complex twenty-two-card reading, known as ‘The Fool’s Mirror’. Whether you wish to read Tarot, or just to learn more about these rich, enigmatic and powerful symbols, I hope you’ll find much to interest you there.
Thank you for accompanying me on this journey!
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The other posts in this series are:
Glimpses of the Tarot One – High Priestess, Lovers, Strength
Glimpses of the Tarot Two – Star, Hanged Man, Death
Glimpses of the Tarot Three – Temperance, Justice, Chariot
Glimpses of the Tarot Four – Hermit, Emperor, Moon
Glimpses of the Tarot Five – Pope, Tower, Judgement
Glimpses of the Tarot Six – Empress, Sun, Devil
The Fool and his Feast TheTarot Fool and the Festival which celebrates him