Forgotten Images from the Silk Road

Sitting on top of the world…en route from Pakistan to Uzbekistan

Just recently, I discovered a cache of photos taken from a second Silk Road trip that I made. The first trip, in 1995, lasted around a month as with a group I travelled from Bejing to Rawalpindi, across the West of China to Kashgar and Tashkurgan, then down the Karakorum Highway – a narrow road hewn out of the rock at great cost to the workers who built it, and replacing the old caravan trail barely big enough for pack horses. Around a year later, my(former) husband decided that he’d missed out, and would also like to see something of this ancient trade route, a branching network of roads traverses the terrain from East to West. The Silk Road network extends north and south into countries such as India and Pakistan, Russia and Syria. In the heyday of the Silk Road, from the early centuries AD until the 15th century (when new sea trading routes largely superceded it) it was the means by which exotic, innovative goods were traded from one part of the world to the other – silk of course, but also gunpowder, paper, rhubarb and exquisite carpets and ceramics. It was also the route for transmission of stories, art, and religious beliefs. You can read more about this in my previous blogs – Bazaars of the Silk Road and Suzani from the Silk Road.

My second trip – my husband’s first – was much shorter, and this time we began in Islamabad (next door to Rawalpindi in Pakistan), and flew up to Gilgit. From there we would travel up through Pakistan and onwards north to Kashgar in China, over the mountain pass into Kirghistan and to our final destination of Uzbekistan. The plane from Islamabad to Gilgit actually flies between the mountains, rather than over them, so if there’s a cloud in the sky, the flight doesn’t go. If it does go, you hope that a cloud or two doesn’t appear en route, and thicken into mist, since that could be a recipe for disaster. Our flight took off successfully – the alternative was something like a three day drive through unspectacular scenery. It also landed successfully, I’m pleased to say.

Arrival at Gilgit, at the time of a sombre religious festival. Some of the men standing on the rooftops were army snipers, on the lookout for any trouble

I had visited Gilgit before, and enjoyed its (then) fairly relaxed attitude, which welcomed foreigners. This time, however, there was a different atmosphere since it was just after the festival of Ashura when according to the BBC website:

For Shia Muslims, Ashura is a solemn day of mourning the martyrdom of Hussein in 680 AD at Karbala in modern-day Iraq. It is marked with mourning rituals and passion plays re-enacting the martyrdom. Shia men and women dressed in black also parade through the streets slapping their chests and chanting. Some Shia men seek to emulate the suffering of Hussein by flagellating themselves with chains or cutting their foreheads until blood streams from their bodies.

There had been lashing, and many men strode past, wild-eyed, with open wounds on their backs. A tense atmosphere prevailed and army snipers stood on the rooftops, alert to any outbreak of trouble. This was not a place for tourists, and we kept our heads bowed and scurried on, pleased when we could set out on the next stage of our journey, up the Karakorum Highway and up into Kashgar, a place dear to my heart, with its huge Sunday market. From there we’d travel over the Torugart Pass into Kirghistan – new territory for me.

These gloriously painted trucks and buses are the norm for transport in the area. Our minibus was a lot less colourful, however!

The Hunza valley, up the Karakorum Highway is truly beautiful, and a stopping off point for mountaineers. The fiendish Karakorum mountains lure those who seek the ultimate challenge – ultimate in the case of Alison Hargreaves, an accomplished mountaineer who sadly died there in 1995 as a young mother in her 30s. These mountains have jagged, threatening peaks which loom darkly above you, and its hard to imagine anyone scaling them. But in Hunza below, apricot trees are laden with fruit, wild cosmos flowers bloom in the grass, and the terraces on the lower slopes are bright green with crops and grass fodder, grown with care and great industry by the local inhabitants.

Here too are the ancient forts of Altit and Baltit, presiding over the lost Silk Road kingdom of Hunza – other such kingdoms which you may never have heard of include Kashgaria and Sogdiana. Whole dynasties have risen and fallen in these regions and modern maps are sadly inadequate for understanding the layout of old Silk Road territories.

Relaxing in the ancient fort of Altit – or was it Baltit? Part of the Hunza valley is spread out below, although you cannot see here the full extent of the imposing Karakorum mountains

As it was my second Silk Road trip, and a shorter one, I documented it in less detail than the first, when I was eager to write a complete travel journal. Thus the pictures I have of mountains and nomadic people are somewhat loosely defined geographically now in memory, and I’ll share them without attempting to be too precise about their location. And what I’ll miss out here is our visit to the fabled city of Kashgar, now sadly with its Uighur and Silk Road culture diluted in recent years by Chinese domination and suppression. I took many pictures on my previous trip there, and perhaps because of that, I focused entirely on enjoying the vast Sunday market the second time round. But you can see more of Kashgar in my previous blog Bazaars of the Silk Road

But first the border crossing, from the far West of China through the Torugart Pass into Kirghistan. This was a prolonged affair, leaving one country and travelling several miles before entering the next. On the Kirghiz side, it was still the border post of the old Soviet Union, and guarded with maximum formalities. Although, as I speak Russian, I was able to chat to the officers who were delighted that someone, at last, spoke their native tongue!

Making new friends at the Chinese border! Always as well to have the guards on your side.

The peoples of this area mingle too – Tajiks, Kirghiz, and Uzbekis, for instance.There are still nomadic tribes or families, using traditional yurts, and perhaps migrating to town houses in the winter months.

Ever curious children (these ones probably from Hunza) above, and below a nomadic family, probably Tajiks who often have rosy cheeks and flashing black eyes.

The family below were yurt dwellers, at least for the summer months when they can graze their animals on mountain grass. The white felt hat which the man on the left is wearing is the traditional Kirghiz headgear. In the second picture, you’ll see that I took the chance to try ‘kumis’ which is usually made from mare’s milk, and tastes like kefir. It was delicious! Some swear by it as a cure for chestiness and other respiratory ailments.

Tasting kumis – fermented mare’s milk! Note that it comes out of an old goatskin (?) bag.

The yurts are easy to transport and put up again; they’re constructed on a pattern representing the cosmos, with the central crossing symbolising the four directions. You must always walk round sunwise inside a yurt, starting from the left hand side, even if what you’re coming in for is close to the right hand side of the entrance. Inside, they are cosy, and infants sleep snugly wrapped in their cradles, which can also be transported intact.

The cross poles of the yurt in the centre of the yurt, the heart of the universe
A Kirghiz baby in his or her bed, strapped and wrapped for safety

It was also an opportunity to try my skills on a horse again. The Kirghiz particularly love their horses, and on my previous Silk Road trip I’d also managed to blag my way onto a steed! They specialise in decorated felt and embroidered saddle cloths.

In the higher regions of Central Asia and Western China, yaks are useful for their meat, milk and as beasts of burden. They are also known as the ‘Tartary ox’.

Yaks, domesticated and hardy in the kind of extreme terrain seen below

Kirghistan has its own national hero – Manas. He is perhaps what Genghis Khan is to the Mongolian civilisation, a warrior king who fought battles for his people. The Epic of Manas in its present form dates from the 18th century, but was passed down orally before that, and is believed by the Kirghiz to be much older – they celebrated its 1000th anniversary in 1995! Its provenance is complex, but it seems to be based on historical facts much mythologised to celebrate the prowess of the superhuman hero.

A vast statue of the Kirghiz warrior king, Manas, which stands in Bishkek

If you’d like to watch this short video, you can see marvellous shots of the Kirghiz way of life, along with listening to plangent Kirghiz music, hearing a clip from the epic of Manas, and watching those curious white felt hats.

Kirghiz Music and Culture

Descending eventually down into Uzbekistan, a hotter and flatter country, we visited the astonishing cities of Samarkand and Bukhara. Later, on a subsequent trip, I also reached Khiva, which is a renovated Silk Road city of magnificently tiled buildings. Buhkara has been a melting pot of different dynasties and peoples, and the Samanid mausoleum built in the 10th century includes influences from Byzantium, Persia along with Sogdian and Sassanian styles, plus, we were told, hints of the ancient Zoroastrian religion.

Here in Uzbekistan, the produce is lusher, the clothes made of lighter fabric. The famous ‘rainbow silk’ is still worn by the women. There’s a legend about how it came into being – it can be found in a blog from my original website: Images from the Silk Road – Rainbow Silk

The second girl from the left in the back row is wearing rainbow silk, a nationally-celebrated fabric

And so we rounded off the Silk Road trip in Samarkand and Bukhara, where I’ll round off this post with images, rather than a discourse. First of all, here is the Uzbeki style of building grand houses and palaces. Even smaller-scale, more domestic houses often have these charming decorated alcoves.

And then, the wonderful tiled mosques, perhaps even more magnificent than those I had already seen in Istanbul. Some have been restored to their full glory after becoming dilapidated in earlier years.

After the second silk road trip, I did follow up with separate visits to Syria, a more complete tour of Uzbekistan, and futher visits to Turkey, where I’d been travelling since I was a student. With images and source books, I looked further into the history of the Silk Road, its legends and its cultures, and from this came my children’s book Stories from the Silk Road, and illustrated lectures which I gave for NADFAS (now the Arts Society), and at various other venues including cruise ships. Some of the ports in the Black Sea, for instance, are old Silk Road ports, so it was more relevant to the passengers than you might think. And, of course, I can enjoy writing blogs such as this one, to share the images with you.

Thanks for joining me on my travels!

Blogs of further interest

Bazaars of the Silk Road

Suzani from the Silk Road

Cherry’s Cache – At the turn of the year

At the turn of the year – a photo taken at the winter solstice in Bath some years ago

I began this blog nearly three years ago, in April 2020. And before I go any further, I’d like to thank all of you who’ve been reading these blogs, whether regularly or occasionally. It’s a real privilege to know that they’re of interest. Whether Dartmoor or alchemy, Welsh fruit loaf or Huguenot refugees, there is, I hope, something for everyone. When I set up this website with the help of a professional web designer, we talked about drawing in an audience for this. However, when he heard the range of topics I’d be writing about, he was somewhat baffled. ‘If this blog appeals to one kind of reader, then the next might be for a different kind…’ And he didn’t quite know where to go from there. But as it reflects my own genuine range of interests, then we would just have to go with that, we agreed. I could hear the doubt in his voice!

A note about the images: Most of these are from the blog posts mentioned here – and it shouldn’t be too hard to work out which is which, if you’re so inclined!

Thank you, readers! I hope you’ll stay with the blog and I’ll just be running it month to month, seeing what comes up and what I might post. It may not be a ‘forever’ blog, as keeping up the quality is really important to me. But I hope that the posts will still have a presence on the net so that those interested in, say, embroidered samplers or Silk Road travellers or the goddess Kuan Yin or a recipe for a Twelfth Night cake, can still find my posts for these. And by the way, please do make use of the ‘Search Bar’ on the home page. You can enter any relevant keyword for the blog and it should show you the one(s) available.

A little later, I’ll be coming onto What the Stats Reveal – which posts are popular, and where do you all come from. In fact, if you’re going to be bored by the next section about my own writing history, skip on past….

The writing compulsion

I started writing books in my twenties (quite a long time ago!), and in the fifteen years prior to 2020, I was producing a book about every two years. I was caught up in a rhythm, of researching ideas followed by canvassing publishers and then writing the book itself. I was proud to have had a steady sequence of books published, but it was becoming exhausting. Starting Cherry’s Cache was a way of breaking the addiction. Yes, really –a blog, I thought, would be a harmless and rewarding way to channel the urge. No dependency on the whims of editors or the business (mis)fortunes of editors – and a chance to use pictures. Lots of lovely pictures! I’ve always relished matching images to words, which I could do in my talks and lectures, but rarely in books.

You may be sceptical as to a) the demanding nature of writing and b) its addictive qualities, so let me fill in the background.

The cycle of madness

Writing a book involves a cycle of madness. I say this a little tongue in cheek, but it’s not far from the truth. My book ‘Russian Magic’) includes this dedication to Robert:
I would like to thank my partner Robert [now my husband] for putting up with a writer who had her head buried deep in books while researching this project, and who went round muttering about Russian wizards and wolves, and frogs that were really princesses, whenever she came up for air. His loving support and kindness was a life-line to me!

The first phase of writing a book is not quite so extreme, since I relish the quest and seeing the identity of a book emerging from this. The research stage is exciting. Heady, full of promise and possibilities. I have a wide field of interests, and in the 2000s, the books I produced thus included family history, writing life stories, Russian folklore, feminine archetypes and traditional Tarot symbols. I was also tasked with updating my now classic history of alchemy.

But then reality bites, writing up of an outline, often chapter by chapter, and producing all the back up info without which the publisher won’t offer a contract. (Who are the potential readers? What other competing books are out there in the marketplace? Do I know, and do I care?) It can be a grind, but it’s also reassuring afterwards to know that there’s a solid framework for the book.

I usually write to a publisher’s contract. And I don’t mind deadlines – indeed, I love them. In my opinion they are a writer’s best friend, a great incentive to keep going, providing you’ve agreed a realistic delivery date, and you’ve a contracted commitment from a publisher. Nevertheless, the outcome isn’t always rosy. Several times during my career I’ve been badly let down when publishers go bust, leaving work unpaid, and a contract is suddenly no more than a useful fire lighter. Projects can also be cancelled after the months of preparation but before the signed deal. And once I had a script rejected, which is definitely a blow to an author’s pride. (It rankles, even now!) It happens, even with the best agents, which I’ve been fortunate enough to have. ‘You cannot force a publisher to publish,’ is the sum of it. I therefore advise all prospective writers to be philosophical, because there will be stones on your path as well as pretty flowers.

A somewhat relevant image, I think. Be philosophical if you want to be an author! That’s the essence of any advice I’d give an aspiring writer. Pilgrim’s Progress with its Slough of Despond and Doubting Castle is not so far off the mark – but maybe the Celestial City awaits?

The writing phase itself can both inspire and drain you. It’s like a slow wave building up that you must sustain, carrying its momentum forward. The book is always there in your mind, even on days off. And when the text is finally drafted, it’s time to turn to the editing stage. I try to have a short break between the two phases if I can, because it does help, to come back fresh to your deathless prose and see that it’s not quite so perfect as you thought. By the time my final draft has landed in the editor’s in-box (thank goodness for electronic submissions these days!) I often feel exhausted and empty, rather than exultant. It takes time for the well to fill up again, for energy to be restored.

But my final draft isn’t theirs, of course. Then follows what may be a long stage of working with a desk editor (the ‘ideas’ department) and a copy editor (the style and clarity monitor). Finally, with everything ready there’s usually a further waiting stage to get the book printed, unless you’re a celebrity author being fast-tracked for the Christmas list.

And now it’s out! But you’re still on the case, even if you’re longing to start on that next book or (probably better) lie down in a sunny place for several months. There’s promotion, social media posts (groan), and possibly talks and articles and book signings. The author is expected to be very actively involved now in marketing, and often the onus is on us to fix up events and create a social media whirl.

In the good old days of launch parties – though I seem to recall we fixed this up ourselves! R-L: Lyn Webster Wilde, Eve Jackson, myself and Lucy Oliver celebrate the launch of our books at Watkins Bookshop, London. These were for a series called ‘Compass of Mind’, published by Dryad, for which I was commissioning editor.

A new venture

This is not really an author’s moan, as I’ve loved the process overall, and the delivery of my book children into the world. Editors and agents have become close friends, and I’ve also been part of a couple of wonderful writers groups, in Stroud and in Exeter (link). But in the last few years, obviously older than I once was, I feel that I won’t embark lightly on that process again, of conceiving, preparing, writing and promoting a book. (Unless you want to make me a good offer, of course?)

And then the idea was born to start Cherry’s Cache, and fledged through attending a blog-writing course with ‘The Gentle Author’ in Spitalfields, in March 2020, something I’ve written about in an earlier post.

The occasion remains eerily clear in my mind because it was the last weekend we were all allowed out before the lockdown. Our course was a kind of safe space, whereas outside drinkers spilled onto the pavements in unusually warm weather, shoppers crowded the markets, with an eerie semblance of normality. In Cheshire Street market I picked up a Folio Edition of Daniel Defoe’s ‘Journal of the Plague Year’. It seemed fitting.

Back at home, totally at home for the duration, I was able to make contact with the Gentle Author’s recommended web designer. With his expert skills, we played with names and themes, and the blog itself was launched remarkably fast in April 2020. I put up three opening posts, so that readers would have something to delve into. And it became a constant delight for me to work on it during those long months of successive lockdowns, without the pressure of a given brief or the extended effort needed for a whole book.

Cherry’s Cache has thus been my main writing focus for a while, but instead of the once-a-week post of the pandemic, which I maintained for about two years, I’m now posting once every two or three weeks. It melds well with some of my other activities, such as volunteering as an Exeter city guide, working on esoteric subjects (see our Soho Tree blog), and rounding up memoirs and musings. In the last year, I’ve also returned to teaching creative writing online for Oxford University.

Below: so who am I really?

L-R: as painted by Robert Lee-Wade, in a floppy hat reading a book, ‘Grandma’ by Martha, or donning a gown for teaching at Oxford Summer School of Creative Writing?

All and none, perhaps.

Loving the Stats

One of the great things about running a WordPress blog is the ease of checking out your stats. I can prove that as of today, I’ve published 93 blogs – yes, really! I’m surprised too – and this is no. 94. And my word counts show that I’ve just hit the 200,000 word output for all of these. That could have made two whole novels. (But not quite ‘War and Peace’.) It seems that I haven’t switched from books to blogs to reduce my output.

I can also peer behind the scenes and find out who has read what blog and when. Well, not who exactly, but how many readers. And roughly where they came from. On the day my last blog went out (December 18th) I had over 100 from the UK and the USA, but also from Canada, Nicaragua, Ireland, Spain, New Zealand, Hong Kong, Kenya and Australia. Previous visitors were also from Bhutan, Japan, and Finland. Today is still young – but hello there, Sweden and Vietnam! (I hope that most of you do actually look at the blog, rather than harvest my info for future selling or scamming.) In June 2022, there were just under 2,000 visitors from the United States and 75 from Spain.

I can even see some of the search terms used, which luckily are mostly harmless, if often misspelt. One or two are incomprehensible: ‘south african jazz artist wearing zobra colours suit’ for instance. What did they find – and did they enjoy it? I can also work out which the winning themes are. As compiled recently, the all-time favourites have been ‘Pangur Ban and the Old Irish Cats’, (which seems to find favour especially over the Christmas period) followed by Enoch and Eli – Black Country Wit, and Mick Jagger and the Cigarette Butt. Other animals do well, since Dartmoor Ponies is in 8th place out of 90 posts, and I’m happy to see that my various blogs on our home town of Topsham are in the top twelve.

Sometimes, a tidal wave of views sweeps in, perhaps triggered by a referral from elsewhere. My account of the artist Anna Zinkeisen and her connection with the Whitbread Zodiac Calendar, something I researched at length and was proud to present, was little studied until suddenly, between March and May this year, she had nearly 1000 views. I’d love to know why. Perhaps it was a link on a study course? (Below: Anna Zinkeisen’s self-portratit and a page from her Zodiac Calendar)

And some posts – like Enoch and Eli, for instance, take a while to find their audience and then they seem to roll on merrily ever after.

Aynuk and Ayli were fishing in the canal:
‘Me mate’s fell in the canal !’
‘Owd it appen?’
‘I just took a bite ov me sanwich an me mate fell out.’


Gerrit?

However, some of my very early posts, while building a readership at first, have ebbed away out of sight.What indeed is wrong with ‘Seduction, Sin and Sidmouth – an Ancestor’s Scandal’? Nothing, in my view! I may bring wicked Gt Uncle Edwin back to feature again on a future date.

Until then, here’s thanking you all once again, and wishing you a very Happy New Year!