The Bizarre World of Victorian Christmas Cards

Oh dear! The Victorians had a very strange attitude to Christmas cards. No one seems to know why. Poor old Cock Robin – he won’t be having a very ‘joyful’ Christmas.

As you’ll perhaps have seen, I wrote a blog on Vintage Christmas cards a couple of years ago. https://cherrycache.org/2023/12/24/vintage-christmas-card-special/ In this, I gave the background to their history, starting with Henry Cole, director of the Victoria & Albert Museum, in December 1843. He printed a thousand cards with a specially-created artist’s image of his family sitting round having a jolly time during the festive season, imbibing wine. As well as taking the effort out of writing Christmas greetings to his kith and kin, he’d also hoped to make a bit of money out of the venture. However, the commercial side didn’t go well – one reason was public disapproval of the image. If you look closely, you may be able to see that the baby is also imbibing wine.

Henry Cole’s first printed Christmas card, 1843, and a close-up of the baby drinking wine

However, Christmas was on the up as a family festival.1843 was also the year that Dickens published ‘A Christmas Carol’, and it was the period when Queen Victoria’s consort Prince Albert was doing his best to introduce German Christmas customs into to Britain. (Experts still disagree as to how much of a part he played in making us buy a Christmas tree each year.) And Christmas cards themselves came more into favour from this point on. Other talented artists were commissioned to print designs, and exhibitions of Christmas cards were even held.

But whereas you might expect saccharine pictures of cute cherubs and jolly Santa Claus(es) from the sentimental taste of the time, the most prominent themes were very different. In the years which followed, the Victorians began to favour grotesque images, the like of which might shock us today. The death of Cock Robin was apparently hilarious – and what are these children doing flying on bats? Playing some kind of ghoulish lacrosse? Quite frankly, I don’t want them all turning me up to wish me a ‘bright New Year’, as the message suggests!

……

And presumably a naughty child won’t even enjoy flying on a bat, because Father Christmas regularly stuffs ungrateful children into his sack. Perhaps the card below is based on the figure of Krampus? In certain parts of Europe, Krampus (meaning ‘claw’) accompanies St Nicholas on his gift-giving Christmas visits to children, and punishes the badly-behaved ones.

A fierce Father Christmas – or maybe Krampus?

The Victoria & Albert Museum has a collection of old Christmas cards, and the listings show plenty of those with a more macabre slant. Here’s a tally of some which I’ve come across:

Man emptying a chamber pot onto carol singers’ heads

A wasp attacking two children

A bloody battle between two opposing varieties of ants

A snowman ghost mugging an innocent gentleman stroller.

One frog mugging another – and a duck eating a tangle of frogs

And then, the Museum tells us it has a whole collection of cards illustrating policemen being run over! I wish I could find one to show you.

The picture above might seem a more innocent and conventional Father Christmas, albeit on a bicycle – but is he chucking his toys out of the bag in a fit of pique? And if Father Christmas doesn’t get you, a polar bear might.

Although the images on Christmas cards may have been grim, in contrast the messages were usually quite sweet. Valentine’s cards had already got under way as an early form of greetings card by the first part of the 19th century, and it seems that however fearsome the picture, you were at least expected to send good wishes to the recipient. Perhaps the whole thing was really meant to be an extension of Christmas merriment? I’ll come back to that! In the meantime, here’s a delightful video from the V&A about the history of Valentine’s cards.

But coming back to the strange nature of early Christmas cards, even among my own later collection, dating from the end of the 19th century to the 1920s and 30s, there are some extremely odd images. Take this one, of Boy Scouts ready to kill their Christmas dinner.

And a friend said she’d discovered something similar:

When we moved into our house we found many pieces of Victorian childhood memorabilia underneath the floorboards of the top floor bedroom, presumably posted there through the gaps by the incumbents. Amongst them was a gruesome picture of a very small boy dragging a very large dead bird home along the road by its leg for Xmas dinner…. !

Some cards in my collection, perhaps inadvertently, are very odd – not to say dubious – in their tone. I wouldn’t trust a small child with this snowman – would you?

The Feast of Fools

Is the Victorian love of bizarre Christmas cards a continuation of the old tradition of the Feast of Fools? I was trying to make sense of their taste, and finding no help from more authoritative sources, when it occurred to me that this might be Saturnalia resurfacing again. Check out the above link to my earlier blog on this subject, which I quote from below:

So as well as the religious and domestic celebrations of the Christmas period, primarily associated with the birth of the baby Jesus and the coming of the Three Kings, this is also the domain of the Lord of Misrule. In customs found all over Europe, during the period when the sun ‘stands still’ and seems to halt in its cycle, at the period of greatest darkness, the usual hierarchy could be turned upside down. This was ‘time out’ – time out of the calendar, time out of work, and time out of the normal rules and regulations. Society could throw off its shackles and reverse the general order. Thus a servant could play master or mistress for a night; a Knave could become a King at the Twelfth Night Feast. Games normally forbidden, such as ball games in Tudor England, could now be played. Priests played practical jokes, and got tipsy, while mock sermons were preached by ‘boy bishops’ or perhaps anyone not too drunk to stand up and spout a few words.’

Perhaps the Victorians liked the rumbustious side of Christmas and New Year traditions, and to laugh merrily over less than politically correct jokes? And are we missing a trick by designing more tasteful cards today? Probably not; I can’t see flying bats, murderous Santas and bear attacks being quite so popular nowadays. When I was at school, some of my elderly teachers (or so they seemed to me at the time!) complained that the meaning was being taken out of Christmas as not all the cards were showing Nativity-related themes. Had they dug into the matter further, they might have been shocked and surprised by what the Victorians thought was acceptable!

Ho, ho, ho….here’s my final jolly offering. Now where’s that mouse – or possibly rat – going on that sinister-looking lobster?

Vintage Christmas Card Special

HAPPY CHRISTMAS!

I wish a very happy festive season to all my readers. By the time this post is published, the daylight in the Northern Hemisphere will be creeping back into our lives, little by little. Whether you celebrate the Solstice, Christmas or New Year – or all three – good wishes for the renewal that follows: health, light, love, happiness – and peace.

So this is one of my lighter-hearted posts, intended to cheer rather than to challenge. Welcome to the world of vintage Christmas cards!

The Collection

I have a collection of 45 old Christmas cards, dating from the late 1800s to around the 1920s. You might expect most of them to be decorated with colourful Christmas trees and little girls in bonnets, like the one above, but the majority are nothing of the kind. Some are safe and dull – holly was popular and uncontentious, but some are very curious indeed, pushing the Christmas card boundaries before the genre had really come into its own.

Whoever told the Boy Scouts that they had to hunt down their Christmas dinner?
This seems a far cry from the sedate images of holly and wintry scenes below.

No sooner had I written this post than I was given a pointer to the current Guardian newspaper, which has a wonderful article on macabre and murderous Victorian Christmas cards. These include a dead robin and one frog mugging another for money. Plus a girl who has been transmogrified into an onion. No holds barred on imagination! Mine are not so dramatic, but still entertaining.

The first commercially produced Christmas card, according to the Victoria and Albert Museum was sent in 1843 by Henry Cole, who just happened to be the director of the V&A, which is perhaps why there are other rival claims to early Christmas card innovators. (Eg a one-off card, replete with Rosicrucian imagery, sent by alchemist Michael Maier to James I of England in 1611.) Cole went for a proper print run, however, and commissioned his artist friend John Callcott Horsely to produce a happy scene of Christmas at the Cole family home. A thousand cards were printed – but at a shilling a time, they did not sell well. That’s about £3 in today’s money. Nor did the Cole family look particularly merry. (With the possible exception of the baby, who as the article in the Guardian points out, is drinking wine.)

Henry Cole’s family having a merry Christmas in 1843. Note the baby being plied with wine.

All the cards which now follow are from my own collection. Some that I have are indeed rather scary. Would you trust this snowman with an innocent child?

And Santa himself appears in some unusual scenes, such as this one, where he is superintended by a rather menacing polar bear.

Perhaps to counteract these bizarre scenes, there were also cards for the type of buyer who preferred to play it safe and put piety at the forefront. Or perhaps these were just leftover prayer cards – possibly even funeral cards – bought up cheap by the printers and rebranded for a Christmas market?

You may have noticed that on certain cards, some of the faces are photographs of real people. Did the card designer use stock photos for these? Or were they custom-made, so that you could have faces of your nearest and dearest transferred into the Christmas scene? I don’t have the answer. But anyway, here are two which feature real children on fake walls, then we have more real children with two fake snowmen.

But at least the next photographic pair of cards have reasonably pretty designs. (Either the horseshoe is very large or the child very small.)

There are only a few in my modest collection which show real artistry, or even just where the design has some flair. The card below isn’t one of them, but seems to be a case of: ‘Let’s see what we’ve got knocking around the place – ah yes an old vase – I’ll just pop out into the garden and fetch a few sprigs for it.’

But here are two at least which I think are very stylish in their design, dating perhaps from the early 1900s..

I wish I could say that the messages on the back are full of interest. Some of the cards haven’t been used at all, some contain very brief ‘best wishes’ type greetings. Here’s one which has laboured further:

With much love from (squiggle)
To Father and Mother with love and Best wishes for a Merry Christmas and a Bright and Prosperous New Year from your loving Daughter and Son Maggie and Tom Stephenson
(Daughter thinks: Phew – job done for another year! Why do I say daughter rather than son? Well, do you really need to ask that question?)

Another is somewhat lacking in panache – this one is addressed to Weston Supper Mare [sic]:
Dear Annie – received your present, safe. Like it very much be able to brush up now, won’t know me when you see me – Harry
(I’ve added some minimal punctuation) Any guesses as to what the present was? Perhaps it was indeed a hair brush to tidy up a scruffy suitor.

As a general rule, if there’s a printed verse on the cards, it must rhyme, whatever the cost in poetic or grammatical terms:
Pleasant times I wish
Happy day to all
In the humble cottage
And the stately hall

Or: Merry times and laughter flowing
With the Yule-tide log a-glowing
Fondest wishes dear to you
This glad season doth renew

Or even: I send, sweet little friend,
Although not near you,
This card with love thoughts laden,
And hope to cheer you.

Sometimes the card maker at least has the season firmly in mind, as in the first couple of cards below:

But others seem unaware that Christmas should be, well, Christmassy. Or at least festive. And wintry. It strengthens my suspicions that some cards were produced on an ‘all-occasions’ basis, ready to be printed in batches with whatever greeting was required – birthday, Easter, wedding, funeral, or christening, perhaps.

You might also be wondering why there are so many Dutch girls in these cards – to which I have absolutely no answer. This one appears to be selling roses or possibly tulips against the background of a storm at sea. Not very ‘bright and merry’ out there on the water.

And that concludes my current research into the vintage card collection – I can’t promise you a follow-up! But I can indeed wish you a happy Christmas, with a chorus of vintage greetings.

Other Christmas time posts:

The Twelve Days of Christmas

The Fool and his Feast

And the most popular post of all time on Cherry’s Cache which takes you into the depth of the dark night along with Irish cats and a poetic monk:

Pangur Ban and the Old Irish Cats

Finally, to close with music: this is one of my favourite Wassail songs, with its ancient feel, and the sense of the wheel of the year turning, ever turning…